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They toss a ball back and forth and dream of fleeing their small town to visit California, promising they’ll be “friends to the top,” and it’s the kind of intense bond best pals share when they’re tweens, before puberty hits and girls become a distraction.
“Eyes Wide Shut” may not seem to be as epochal or predictive as some on the other films on this list, but no other ’90s movie — not “Safe,” “The Truman Show,” or even “The Matrix” — left us with a more correct perception of what it would feel like to live during the 21st century. Within a word: “Fuck.” —DE
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It doesn’t get more romantic than first love in picturesque Lombardo, Italy. Throw in an Oscar-nominated Timothée Chalamet like a gay teenager falling hard for Armie Hammer’s doctoral student, a dalliance with forbidden fruit and in A significant supporting role, a peach, and you also’ve got amore
A sweeping adventure about a 14th century ironmonger, the animal gods who live in the forest she clearcuts to mine for ore, and the doomed warrior prince who risks what’s left of his life to stop the war between them, Miyazaki’s painstakingly lush mid-career masterpiece has long been seen being a cautionary tale about humanity’s disregard for nature, but its true power is rooted less in protest than in acceptance.
For all of its sensorial timelessness, “The Girl on the Bridge” could be also drunk By itself fantasies — male or otherwise — to shimmer as strongly today since it did in the summer of 1999, but Leconte’s faith in the ecstasy of filmmaking lingers each of the same (see: the orgasmic rehearsal sequence set to Marianne Faithfull’s “Who Will Take My Dreams Away,” proof that all you need to make a movie is a girl plus a knife).
The movie can be a quiet meditation on the loneliness of being gay in a very repressed, rural society that, while not as high-profile as Brokeback Mountain,
She grew up observing her acclaimed filmmaker father Mohsen Makhmalbaf as he directed and edited his work, and He's credited alongside his daughter for a co-writer on her glorious debut, “The Apple.”
Tarr has never been an overtly political filmmaker (“Politics makes everything way too uncomplicated and primitive for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never experienced a chance”), but revisiting the hypnotic “Sátántangó” now that Hungary is while in the thrall of another authoritarian leader reflects both lesbify the recursive arc of modern history, and also the full power of Tarr’s sinister parable.
Mahamat-Saleh Haroun is among Africa’s greatest living filmmakers, and while he sets many his films in his native Chad, a few others look at Africans having difficulties in France, where he has settled for most of his adult life.
Where do you even start? No film on this list — as many as and including the similarly conceived “Twin Peaks: Fire Walk with Me” — comes with a higher barrier of entry than “The tip of Evangelion,” ixiporn just as no film on this list is as quick to antagonize its target audience. Essentially a mulligan about the last two episodes of Hideaki Anno’s totemic anime series “Neon Genesis Evangelion” (and also a reverse shot of sorts for what happens in them), this biblical psychological breakdown about giant mechas along with the rebirth of life on this planet would be complete gibberish for anyone who didn’t know their NERVs from their SEELEs, or assumed the Human Instrumentality Project, was just some incredibly hot new yoga craze.
Drifting around Vienna over a single night — the pair meet on the train and must part ways come morning — Jesse and Celine have interaction in the number of free-flowing exchanges as they wander the city’s streets.
Potentially it’s fitting that a road movie — the ultimate road movie — exists in so bf sexy many different iterations, each longer than the next, spliced together from other iterations that together develop a feeling of a grand cohesive whole. There is beauty nhentai in its meandering quality, its concentrate not on the kind of end-of-the-world plotting that would have Gerard Butler foaming with the mouth, but on the ease and comfort of friends, lovers, family, acquaintances, mature porn and strangers just hanging out. —ES
Many films and television collection before and after “Fargo” — not least the Forex drama inspired with the film — have mined laughs from the foibles of Silly criminals and/or middle-class mannerisms. But Marge gives the original “Fargo” a humanity that’s grounded in respect to the plain, solid people with the world, the kind whose constancy holds Culture together amid the chaos of pathological liars, cold-blooded murderers, and squirrely fuck-ups in woodchippers.